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it. For instance, when the director asked him to execute a scene in which a rat kills a tigress
               underwater but takes care of the cubs out of sympathy, Subbu came with four or rather,
               fourteen different ways to perform it and he took less than a minute to work it out. Since
               Subbu was an extremely resourceful and creative person, film-making was a lot easier when
               he was around. He alone, gave gemini Studios a unique identity. Not only this, he was great
               at poetry. He had the privilege of getting his poetry extraordinary recognition but he still
               chose to recite it personally to the masses. His critics were of the opinion that his poetic skills
               were  overshadowed  by  his  excellent  film-making  skills.  He  composed  various  folk  ‘story
               poems’ and the infamous novel Thillana Mohanambal with beautifully curated characters. He
               even recreated the mood and manner of Devadasis who existed in the 20th century. Apart
               from the aforementioned qualities, Subbu was a realistic actor not very fond of playing the
               protagonist. Whichever role he performed, he had the ability to perform better than the main
               actors. He treated everyone with sincere respect and affection, so much so that his home was
               a permanent residence for all his knowns. He wasn’t even aware of the fact that he was so
               welcoming. The narrator was amazed at the fact that even such a person could have enemies.
               He was not sure about the reason behind such behaviour towards Subbu. He guessed it to be
               his closeness with the boss, or because he said nice things about everything and everyone or
               simply  because  he  praised  the  boss  to  gain  favours.  Regardless,  the  boy  in  the  make-up
               department wished terrible things for Subbu.


               THE LAWYER AND THE STORY DEPARTMENT:
               The lawyer wore unique clothes, different from the usual uniform that consisted of a dhoti
               made of khadi fabric and a slightly oversized khadi shirt. He was generally seen wearing pants,
               tie and sometimes a coat which was like an armour. He was a neutral man with logic which
               did  not  value  human  feelings  and  was  usually  seen  helpless  in  a  world  full  of  literary
               enthusiasts.

               The narrator called him a ‘neutral man in the assembly of Gandhiites and Khadiites’ because
               he was different from the rest of them. He was very close to the boss and just as the trend
               goes, he too was allowed to produce his own film which could not do very well. A lot of make-
               up products and pancake stash were used in the process. Eventually, the boss shut down the
               Story Department. The narrator expresses it in a sarcastic way, that this was perhaps the only
               instance in human history where a lawyer lost his job because the poets were asked to go
               home. As the story department was closed, the poets were rendered workless alongwith the
               lawyer.

               WELCOME OF MORAL RE-ARMAMENT ARMY:

               Gemini  Studio  displayed  extreme  hospitality  when  Frank  Buchman’s  Moral  Re-Armament
               army consisting of 200 people came to Madras in 1952.

               They were referred to as the International Circus even though they were not very good with
               trapeze and the only association they had with animals, was at the dinner table - they ate non
               vegetarian  food and other than that, they did not interact with animals as was  done in a
               circus.

               Their two plays that were performed with full proficiency and professionalism got a lot of
               appreciation while they performed it again and again in different parts of Madras.
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